Valerie Graves, a misanthropic, disillusioned woman in her mid-twenties, is haunted by sadistic urges that she has struggled to repress since childhood.
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Nathalie teaches philosophy at a high school in Paris. She is passionate about her job and particularly enjoys passing on the pleasure of thinking. Married with two children, she divides her time between her family, former students and her very possessive mother. One day, Nathalie’s husband announces he is leaving her for another woman. With freedom thrust upon her, Nathalie must reinvent her life.
With four corpses on his hands, New York City gumshoe Mike Reilly (Stephen Dorff) teams with Department of Health worker Terry Huston (Natascha McElhone) to track down a homicidal sadist who telecasts shocking acts of torture on the Internet. But they have their work cut out: It seems the victims’ only link is that they all went toes up 48 hours after logging on a site known as feardotcom.com. Stephen Rea also stars in this gruesome thriller.
In August of 1949, Life Magazine ran a banner headline that begged the question: “Jackson Pollock: Is he the greatest living painter in the United States?” The film is a look back into the life of an extraordinary man, a man who has fittingly been called “an artist dedicated to concealment, a celebrity who nobody knew.” As he struggled with self-doubt, engaging in a lonely tug-of-war between needing to express himself and wanting to shut the world out, Pollock began a downward spiral.